of standing in a room full of people listening
to my friend
of twenty three years introduce me. He talks
of ping pong
and sail boats, how he tipped us on purpose
and I lost
my second pair of sunglasses. He talks of betrayal
and tears
in a basement, how he never thought I would face
up to real
friendship. He talks about walking down to Anodyne,
black coffee
and two different Steinbecks, how those novels wrote
the first bridge
of words we walked across. He looks at me leaning
against the wall
next to a painting and I look back wondering how many
other poets fail
to be poets, how many other writers fail to be
writers, how
we both made it, achingly pushing each other like bricks of words
back and forth in dreamt
wheel barrows until the beginnings of a house were seen,
the foundations,
when it was only two of us building, only four hands
and mortar,
before we went to school and learned how to train the architect
within us,
before we assembled construction crews and hired a foreman
to get the job done
right and fast, to take the architect’s blueprints and turn them
into physical,
bring the reader into the house, not just for a tour,
but to live,
to die, to eat, to love, to sleep, to dream, and to brush their teeth
while the dog
licks water out of the toilet. He looks back at the room full
of people
and tells them about Bruce Springsteen, he tells them about
music and love
for the story songs. He stops and they clap while I walk slowly
up to him, we hug
in affirmation of our hopes finally realized and I begin. Tonight,
I say,
I have visions of being a poet.
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Mad Moon Over Mehringdamm
It was the whisper behind your words, after being scared shitless by the description of the eight of cups, that triggered the vanishing of o...
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of standing in a room full of people listening to my friend of twenty three years introduce me. He talks of ping pong and sail bo...
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it was hungry, i could tell the yellow bicycle i was ten, it was hungry it was raining, i heard the window told me i could tell, that old fe...
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(from the moon series) The last stop before sleep. The idle lights and cold marble ground. The conveyor belts of the soul. Someone ha...
The second comment above was supposed to be for this poem.
ReplyDeletethe painful push of committed friendship is definitely the best (if only) way to succeed, especially when it comes to writing...such a solitary art, yet so dependent on trusted social critique.
ReplyDeletehistory, of the personal kind, is tangible in this poem. i like the architect metaphor, but i wonder what it is that kept you and your nameless friend so close throughout those 23 years. how is this friendship different than the many which pass through our lives for only a moment?